• Pentax K-01 review

    As Elias Plastiras discovers, there’s a lot to like about this mirrorless camera

  • Fujifilm X-Pro1 review

    Rather than aiming for the Argos mass market that most of its compacts occupy, Fuji has headed in the other direction and is directing the X-Pro1 at enthusiasts and pros.

  • Canon Pixma Pro-1 review

    Canon’s new A3+ photo and artwork printer is the first outside the company’s large-format range to offer 12 inks.

  • Nikon 1 J1 first look review

    With the announcement of the Nikon 1 series of compact interchangeable-lens cameras, Nikon became the first of the 'big two' digitalSLR makers (the other being Canon) to introduce a mirrorless-system model.

  • Nikon D5100 review

    Theano Nikitas tests the D5000 upgrade, and discovers design, ISO and video improvements

  • Apple Final Cut Pro X review

    With Final Cut Pro X, Apple has once again set out to completely re-invent the video industry. This is a truly groundbreaking release, says reviewer Gary Adcock. Here's the lowdown.

  • Canon EOS 600D review

    Slotting in at the top end of Canon’s entry-level line-up, the Canon EOS 600D ‘makes capturing exciting, fun and creative images easier than ever’, the company brags. Is it another great leap forward?

  • Nikon D3100 review

    Falling into line just above Nikon's other entry-level D3000 DSLR, the Nikon D3100 has some fresh features that make it a very attractive DSLR option for photographers who are starting out.

  • Canon PowerShot G12 review

    The Canon PowerShot G12 is an advanced compact camera that can fit in your pocket, yet provides a full gamut of manual controls and a relatively big zoom.

  • SpyderCheckr review

    Weave a thread of consistent colour when processing Raw photos using the SpyderCheckr

  • Canon EOS 60D review

    The Canon EOS 60D digital SLR camera is fast, performs well in the dark, takes crisp and vibrant pictures, and it offers plenty of physical improvements over the 50D.

  • Sigma SD15 review

    Sigma's SD15 offers realistic effects but is ultimately one for the art photographer, says Gavin Stoker

Elsewhere on IDG sites

Read Next...