3D Toolbox review
Microspot 3D Toolbox is a bit of a curiosity: it’s a truly modular 3D application. You start off with a free base application that’s useful in its own right as an object viewer...
Microspot 3D Toolbox is a bit of a curiosity: it’s a truly modular 3D application. You start off with a free base application that’s useful in its own right as an object viewer...
Looking like one of the maker’s OM models from the 1980s, Olympus’ latest Four Thirds camera, the tiny E-420, replaces the E-410 as the world’s smallest digital SLR.
Microsoft’s Blend is the heart of Expression Studio, the company’s suite of tools that allow designers to create rich Internet applications and user interfaces with Microsoft.NET technologies.
Canon’s Ixus line is renowned for its styling, but the Ixus 970 IS’s design is a triumph of style over substance.
By far the smallest camera in this group test, the Exlim Card S10 isn’t quite credit-card sized as the name suggests, but it’s half the thickness of most of its rivals.
At almost £70 less expensive than most of its rivals here – and £111 less than Canon’s Ixus 970 IS – the FinePix F50fd seems like a total bargain.
Next to the other models we’ve looked at here, the Coolpix P5100 is a bit on the chunky side, but as the camera is actually pitched against higher-end models, it’s actually pretty small.
The R8 is an engineering marvel, cramming a whopping 7x lens into a body that’s on the larger size compared to the other group test models, but still slips into your pocket easily.
Of all the cameras here, the Cyber-shot W300 offers the best balance of size, performance and ease-of-use – and to us, it’s the best-looking to boot.
Over the entry-level EOS 400D, the new model adds 14-bit capture, Live View with both phase- (viewfinder AF) and contrast-detection AF, as well as a larger 3-inch LCD and faster continuous shooting.
The Cyber-shot W300 is a pocket-sized camera that offers one of best balances of size, performance and ease-of-use we've seen – and to us it’s one of the best looking to boot.
At first glance, the HG10 might look rather out-of-place in this line-up, but it has several features that could make it suitable if your HD video-production needs are modest and occasional.
Last year, Canon’s XH-A1 bowled us over with its keen price and exceptional capabilities in low light. But the market has moved forward – particularly Sony’s offerings.
When we last looked at Panasonic’s AG-HVX200, its shooting flexibility greatly impressed us, but the lack of editing support for DVCPRO HD recorded to P2 card rather limited its usage...
Sony’s HVR-Z1E has become a classic, and is now the standard tool of the independent videographer – so the HVR-Z7E has a lot to live up to.
A quick glance at the PWW-EX1 reveals a family resemblance to the HVR-Z7E. But although its CMOS sensors also use the Exmor technology, the EX1 has a trio of 1/2in units.
JVC differentiates considerably between its consumer and professional ranges. Of all the camcorders on test, the GY-HD201E feels most like TV studio equipment.
The Graphics Suite X4 bundle combines vector artwork design, page layout and image editing in a single package that costs around a third of Adobe’s equivalent package.
Apple had its work cut out to fix the shortcomings in its photo editing tool, and the result is Aperture 2. Aside from a vastly redesigned interface, browsing through its library is now fast...
Ricoh’s Caplio R8 is an overhauled version of last year’s R7, which successfully placed a 7x zoom lens on the front of a pocket-sized camera body.