Digital illustrator Sam Gilbey tests Dell's inexpensive version of the Wacom Cintiq – and finds a flawed drawing experience.

Take a look behind-the-scenes at the design of the characters, sets and even the weather from concept art to the final, realised film.

Vivian explains an industry effort to encourage women into post-production roles – and how she bet all odds to set up her own studio in New York.

Animation veterans and AnimDojo Masters Tom Box and Bader Badruddin share their dos and don’ts for creating the perfect, attention-grabbing animation showreel.

Don't have £1,900/$2,000 for a Wacom Cintiq Pro 24? Here are six much less expensive pen display options for drawing, sketching and painting.

NY-based design studio ODD NY explains how it created animations to help make Russia's sophisticated plot easy to understand.

Six short films were created by motion graphic designers and artists for Apple using Houdini, Cinema 4D, Maya and more.

Joren explains how he illustrates and animates the 'A Brief History of' animated web series, and how illustrating New York waste earned his spot in the New York Times' top illustrations for 2017.

It's the near-imperceptible little details that make CG humans like Star Wars: Rogue One’s Grand Moff Tarkin, and Blade Runner 2049’s Rachel look truly real, says Joao Sita from Image Engine, which created digital doubles for Logan.

From the LAPD Brainscan to scanners in Deckard’s Penthouse, see how the 'future UI' studio crafted the VFX Oscar-winning film’s "tangible" technology systems.

Here's how the stunning VFX from Blade Runner 2049, winner of the 2018 Academy Award for Best Visual Effects, were created - plus the four other nominees.