Lion King animator says live-action remakes can be as good as Disney's cartoon classic movies
Alex Williams, who worked on the 1994 animated film, offers an animator’s perspective on the trend of live-action adaptations.
Alex Williams, who worked on the 1994 animated film, offers an animator’s perspective on the trend of live-action adaptations.
Our favourite doodle artist Jon Burgerman's new children's book is out, and we take a moment to talk about his recent digital work.
Framestore explains how it created the small yet complicated underwater CG sequence for Ghost in the Shell, paying homage to the 1995 anime.
Dan and Swampy – who worked on The Simpsons and Family Guy, and created Phineas and Ferb – discuss how they conceive and draw their characters.
Agencies including AKQA, Framestore and ustwo give tips on how studios can help improve diversity in the creative industries.
Eight creative agencies discuss the practical steps they are taking to improve gender, ethnic and socio-economic diversity to find out what methods are having an impact, and what needs changing.
John Mathieson, DoP on the new, very different X-Men film Logan also discusses how the film's look was partially inspired by painter Georgia O'Keeffe.
Whether you want to create high-end graphics and art, edit 4K video or motion graphics, or create VR experiences – this is the compact PC you want on your desk.
We've tested the 6 most powerful and stylish laptops (and laptop/tablet hybrids) for artists and designers to find the perfect one for you.
Watch behind-the-scenes VFX breakdowns for the 2017 VFX Oscar winner The Jungle Book - plus nominees including Rogue One and Kubo and the Two Strings.
We spent some more time trying out the HoloLens to find out what you could create for it – and what you could create using it.
Examining the most controversial and radical rebrands and logo redesigns of 2016 and 2017 so far, including a new Calvin Klein logo, BBC Three refresh and Kodak's retro new logo.
Find out 2017’s important trends across graphic, digital and immersive design, creative direction, advertising, VFX and VR.
Politics is an unfortunate reality in many large studios and design departments that are part of large organisations – but there are steps you can take to reduce the pervasiveness and impact to projects.
The online test aims to provide neuroscience-based data on designs' visual and emotional impact.
A timely commissioned animation by Territory on how technology has created a connected yet divided world.
We take a look at how four VFX houses created the highly-detailed CG beasts and their environments - including Niffler, Erumpent and Bowtruckle, goblin Gnarlak, Demiguise, Occamy and Billiwig.
Floating silhouettes in deep ocean sets a dark tone for the new BBC drama series.
MPC created the transformation and intricate anatomy of the monster in Juan Antonio Bayona’s A Monster Calls film, as well as Conor’s neighbourhood and set extensions for the final cemetery scene.
Simorgh is an animated interpretation of a traditional Persian poem using birds to symbolise human fault, subsistence, and searching for divine love.