Illustrator Marylou Faure discusses her first solo exhibition Nobody's Baby in this interview and gallery of her colourful, intimate portraits from the show.
An interview with Emile Holmewood aka Bloodbros, the vector artist who'll catch your eye this year with his comics, GIFs and characters.
Attempting to stop the UK going Solo are some of the country's leading animation, VFX and post-production studios – which have signed a letter calling for a people's vote alongside Terence Conran, Martha Lane-Fox and others.
Reactions to the logo range from "friendly in a generic way" to "bland new nothingness." And that's before you consider the rather suggestive colouring.
Ken Sausage's illustrations for Powerade Spain put the surreal into sports drink branding.
Rebecca Swift on discovering the subconscious thinking behind our image choices – and what pictures to choose in 2019 that'll resonate with a global audience.
Alex Griendling reflects on a year of creating a fantastically popular Twitter account that combine Stars Wars clips with instantly relatable scenes from a designer or artist's life.
We look at the predictions from Shutterstock, Adobe, Dreamstime and more on the visual trends coming your way in 2019, ranging from design to colours and typography.
Tips on how to create letters using discovered type and how to add depth to your letters using the iPad.
Recent news of the Association of Illustrators dropping its pricing-assistance service has caused debate in the illustration world – we speak to the Association and highlight the decision's impact on artists.
If you’re an artist and your work has been published in UK books, magazines or TV – you could be entitled to thousands of pounds. What are you waiting for?
Creative duo Jack + Huei have hijacked Pantone's Colour of the Year 2019 to draw attention to the environmental crisis killing the Great Barrier Reef.
What does this year hold for user experience design? We identify key trends in the interactive field from crypto to screen time and more.
Look good for Dry January 2019 with soberingly good small & alcohol-free beer artwork that stands with the best craft branding has to offer.
Sonja Stangl tells us her 10 favourite coloured pencil techniques – to help artists currently using the medium and inspire those who haven't picked up a coloured pencil since childhood.
This asymmetrical all-in-one looks like Dieter Rams' take on Microsoft's Surface Studio – which some will love for its retro charm and others despise.
As Dry January gains popularity in 2019, designers and brands tell us how they position small and alcohol-free beers to an uninitiated audience.
Rahi Rezvari's artwork for Editors' Violence wins best cover at Best Art Vinyl 2018 - check it and all the best nominees from this year's awards here.
The new Cintiq 16 is under half the price of the same-size Cintiq Pro and uses the same pen technology – but it has a much lower-quality screen.
Only one of them seems worth your attention, though.
