Step 5 She then added some geometric shapes into the composition to contrast with the sketched elements. Stephen could use these additional shapes as starting points for his own illustrations. At this stage, Andriana looked at the image as it stood and, after a few tweaks to the composition, she passed it over to Stephen to start experimenting.
Her fellow artist wasted no time putting his own mark on the work.Stephen roughly established a way of working having collaborated on a few illustrations before (one of them would find a nice photo and add some graphical elements before passing it to the next person). Stephen opened up the file and saw the imagery, the strange pose of the model and the sketches – and loved it.
Step 6 “Everything in the piece was great, but I just wasn’t too happy with the composition, the positioning of the main focal point,” says Stephen.
He moved things round until they seemed right, and making adjustments to the composition after a few quick emails with Andriana. Stephen ended up duplicating the model for more impact.
Step 7 Stephen started with his usual technique for approaching a piece of work – stared at it for about half a day until something suddenly sparked in his brain. He decided to amputate the leg, firstly masking off the section in Photoshop, and then saving a low-resolution version to take in to Adobe Illustrator. “Cutting off limbs is all the rage,” he quips.