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Classic Photoshop Tutorial: Fantasy digital matte painting

Monday 22 Mar 2010

Professional digital matte painter Sarel Theron shows you how to create an epic, Hollywood-style scene that recreates the fabled Lost City of the Incas in incredible detail with the liberal use of the Clone Stamp tool.


Since the birth of cinema, movie- makers have created stunning special effects by combining still matte paintings with live-action film. Matte painting techniques were once closely guarded secrets that never left the big studios.

Today however, with the aid of modern personal computers, creating epic Hollywood-style matte paintings is finally within everyone’s reach.

For this masterclass, professional matte painter Sarel Theron reveals the process and insider secrets of matte creation.

Using reference images and Photoshop’s Clone Stamp tool, he focuses on the creation of a 2D digital matte painting, from beginning sketch to final work.

For an image of this complexity, you should expect to spend 24 to 32 hours illustrating it. In this masterclass we will re-create a mythical version of the ancient Inca city, Machu Picchu, also known as the Lost City.


Step 1
Open a new document by going to File > New and create a blank canvas of 5,700-x-3,900 pixels. You'll need this image from iStock. Hold down Command (Mac) or Control (Windows), and click-&-drag the photograph of Machu Picchu as it appears today into your new document. Place the photo in the centre of the canvas, then move it to the bottom right.


Step 2
Use a large soft eraser to remove the photograph’s sky and then create a new layer named ‘Outlines’ above the photograph. We will now start extending the original plate. Select a soft standard brush of about 30 pixels and start drawing in the general outlines of the new scenery that you are going to add.

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Tip

If you need to quickly adjust the size of the Clone Stamp tool (also known as the Rubber Stamp tool) you can use the same shortcut as with regular brushes. Pressing [ makes the Clone Stamp smaller, and pressing ] makes it larger. Pressing the number keys 1-9 changes the opacity in 10 per cent jumps.


Who: Sarel Theron is a 32-year-old digital matte painter based in South Africa. Having studied illustration and fine art, he honed his painting skills in the more traditional mediums of oils and acrylics. “When I eventually took the digital road, I found that these techniques gave me a solid foundation and advantage, especially with regards to form, perspective, composition and use of colour. He works mainly in Adobe Photoshop.
Contact: www.sareltheron.com
Software: Adobe Photoshop
Time to complete: One day
On the CD: All files for this tutorial can be found on the cover CD.