Photoshop tutorial: Smarter ways to use colour in your art
Bringing digital colour to hand-drawn art is a common task – and Jessica Fortner has some neat tricks to get the job done
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Bringing digital colour to hand-drawn art is a common task – and Jessica Fortner has some neat tricks to get the job done
Laura Snoad hears the experts’ tips for getting more from the printed page
Gabz shows how easy it can be to brighten up a pencil artwork
Man-Tsun shows how plastic can be a great medium for creativity
Laura Snoad hears the experts’ tips for solving those creative problems
Illustration supremo Phil Wheeler ‘gets wicked’ with different textures and approaches in a poster-sized image
French illustrator François Leroy explains how he created the textured organic shapes in his Isolation composition
From motion type to character animation, we take you through our reader's favourite After Effects tutorials from 2011
Ollie Munden and Harriet Seed get shipshape with techniques for tattoo-style art, based on 50s rockabilly and navy motifs
In 2011, we showed you how to create a myriad of artistic styles in Adobe's vector art tool. Here are the ones you've loved most.
From cosmic effects and beautiful lighting to digital painting tricks and emotionally affecting portraits, we bring you the 10 most popular Photoshop tutorials of last year.
Radim Malinic has a recipe for success to help you create great type art using Illustrator’s little-used Blending tool
Andy Council has made a name for himself transforming street scenes into prehistoric monsters – here’s how the illustrator does it
You may have toyed with sketches of haute couture models – now it’s time to give them a touch of class, as Abby Wright explains
Simon Brader reveals how handmade textures, Illustrator curves and Photoshop effects all went into the creation of The Donor Trail
Rob Shields walks you through the creation of an inspirational artwork that also reveals much about composition and lighting
Pete Harrison radically reworks a fashion shot till the whole look begins to unravel before your eyes
Blend objects in Illustrator, then fuse them with type and colour in Photoshop, says Michael Kammerer – the results are fascinating
Drawing people is not the most obvious application of vector imagery, but Stanley Chow shows it can deliver brilliant results
The key to producing simple but effective animation is to grasp the basic principles, as Lesley Barnes and Bruce Cameron explain