Massive free collection of vintage US maps put online by USGS
Need some cartographic inspiration? Check out the US Geological Survey's historical collection
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Need some cartographic inspiration? Check out the US Geological Survey's historical collection
Adam has created a series of works based around the concepts of 'Focus, Dream, Succeed'.
This pared-down poster will be available for 24 hours only.
Exhibition from illustrator Andrew MacGregor, whose work spans papercut and paper engineering.
The Lovie Awards judge on ways to ensure your work gets the attention of people like him.
The unlikely-sounding plan is part of promotional campaign for the Zoo's penguins.
The new iPad app that acts as a control surface for the main applications.
While most prizes went to product designs, there were some notable graphics wins.
Upgrade is designed to make it easier for creatives to develop content for a growing range of mobile devices.
If you're feeling under pressure to work harder rather than more creatively, you're not alone – according to a survey conducted by Adobe.
Simon Wild, the illustrator behind Fantastical Flying Machines, has launched Tiny Universe – a new site offering creative materials for children.
Exhibition at Central Saint Martins by Vaughan Oliver, Jonathan Barnbrook, Ian Anderson, Neville Brody, Angus Hyland, David Pearson, Tomato and more.
The Modbook has been revived. A new pro version will be available this autumn.
This Saturday, Digital Arts is hosting the second Secrets to Success panel discussion at the New Designers graduate exhibition in Islington, London.
Features added to the Looks tool for changing the colour look of video footage have now been added to the photography tool,
Here's our pick of the best work across graphic design, visual communication, illustration, digital design and motion.
62 Yellow Pencils were awarded, though none in Branding, Photography or Typography.
Students put on exhibition celebrating work unwanted by clients or abandoned by its creators.
Central St Martins grad show has work that's incredibly good, often conceptually clear and even *gulp* commercial.
We catch up with London based illustrator Shan Jiang on leaving I Love Dust, illustration tips, and keeping personal work fresh.