Brewing a stormy night for Volvo
Retouching house Saddington & Baynes had to transform uncharacteristically sunny Scottish landscapes into stormy weather.
Cookie Options
Retouching house Saddington & Baynes had to transform uncharacteristically sunny Scottish landscapes into stormy weather.
Rokkan has created an immersive, interactive Web site that gives gamers an authentic taste of hit sci-fi game BioShock.
French animators Pierre+Bertrand got the chance to transform a student project into a commercial for Mars’ ad agency.
Smash-hit kill-by-numbers TV show Dexter got a visual-effects makeover for the upcoming third season.
Visual-effects studio Lobo pulled out all the stops for a full-CG spot on the 30 years since Lego launched its first Miniman.
From a decayed mummy to vast armies, Digital Domain served up some gory visual effects for The Mummy: Tomb of the Dragon Emperor.
Using impressive 3D elements in your artwork doesn’t have to be a long, fiddly process: new batch of tools offers slick integration at a good price.
The financial climate is looking gloomy – but how will it affect your studio? Can you turn troubled times to your advantage?
Adobe has launched the fourth major release of its Creative Suite collection of tools for design, animation and editing across a wide range of output media, including print, Web, broadcast, optical disc or mobile phone – and we got our hands on the full set of beta versions of the tools to test them in-depth for you.
VFX house Gradient FX created a gory yet somehow charming singing heart to for Gnarls Barkley’s new single.
London VFX studio Double Negative translated the director's monster visions into over 1,000 shots for Hellboy 2: The Golden Army.