Pumas shoe race
Remote Films brings Puma’s Speed Cat trainers to life for Grand Prix-style race.
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Remote Films brings Puma’s Speed Cat trainers to life for Grand Prix-style race.
Digit talks to the CG pioneers and effects makers about the march of the virtual actor.
Documentary D-Day: The Lost Evidence uses CGI, re-enactments and archive photos to celebrate the 60th anniversary of the D-Day landings.
Accessibility and usability gurus, interactive agency Reading Room reveals its passion for keeping user interaction at the heart of Web site design.
With a steady, almost religious drive towards photorealism in animation and CG work, aren’t we in danger of losing out on something vital – art and our interpretation of the world?
Design agency Stunning makes a music player interface for CD:UK online.
Gamers demand realism, and with next generation consoles on the way, ragdoll physics technology is making lifelike human movement a reality.
Aardman Animations unleashes jiving juice, painstaking created in Alias Maya and After Effects, in Robinsons Orange Fruit Squash commercial.
The digital doors of design and production have been thrown wide open with the tools of our trade now commonplace and accessible to all.
The secret histories of the twenty-five best-ever movie special effects.
With the success of 3D in the cinema thanks to Pixar, is Hollywood and the future of animation firmly set on the path to 3D? In short, are the days numbered for 2D cel-based animation?
Digit talks to digital media agency unit9 about its award-winning Web sites and Flash animations, and it plans for future growth.
Three stylish spots herald a new look for Dutch radio station 3FM with Brazilian post/fx houses Nakd and Lobo conjuring up some magic tricks.
The Machine Room keeps its design pure and simple for DVD menus.
This month’s debate: lawyers are, and so are doctors. So should designers be licensed to practice before they can put pen to paper, or cursor to screen? Two leading advocates of both sides of the argument debate the pros and cons of seeing designers licensed to thrill.
Rob Chiu’s Dimensions – a short film about mental health – uses different techniques to animate the experience of schizophrenia.
Ford Fiesta’s TV ad see the miniaturized car racing around a giant pinball table courtesy of The Mill’s Flame artist Barnsley and some almost invisible 3D effects.
Each US Mars lander cost $545m. Yet for all that cash, NASA got a computer with just 128MB of RAM – barely enough to run Windows XP.
The Moving Picture Company’s team of animators rose to the challenge of creating a flamboyant and eccentric caricature of a French chef to act as the brand identity for Schwartz Real Paste sauces.
It’ll be as useful as a gift-wrapped cow at a vegetarian’s birthday bash.