Master this year's top type techniques
The days of uninspiring typefaces are long gone, with the latest offerings going in bold new directions, says Anna Richardson Taylor
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The days of uninspiring typefaces are long gone, with the latest offerings going in bold new directions, says Anna Richardson Taylor
You don’t have to look much further than Steven Spielberg’s The Adventures of Tintin to see the impact that advances in photorealistic rendering and lighting have had on mainstream animation.
Your work can be massively enhanced by the latest trends in CG and 2D animation and motion graphics, says Michael Burns
Aardman’s The Pirates! In an Adventure with Scientists proves there is still a place in people’s hearts for stop-motion – and not just footage produced with the most elaborate gear.
Now is a great time to be working in 2D
Mathematically generated imagery is becoming ever easier for animators to exploit, thanks to open-source programming languages like Processing.
Children's TV rediscovers 2D animation
We could see an upsurge in UK-based animation next year when the Corporation Tax Credits scheme is extended to cover animation production.
I Love Dust’s first hire, cross-media creative Shan Jiang was synonymous with the work of the cutting-edge agency. Not content to rest on his laurels, he has moved on to become a partner at the new east London design agency Shotopop
There’ll seldom be a better time to get involved in sport-led design, says Laura Snoad
Michael Burns suggests how you can push the boundaries of digital design using projection-mapping, Arduino, Microsoft Kinect & more
Flash is a problem for iDevices, which makes mobile access to a website problematic. Here's what smart shops are doing about it.
Laura Snoad hears how leading designers follow some simple rules when choosing the ideal typefaces for their projects
Laura Snoad asks the world’s best graphic and interactive designers, illustrators and animators to set briefs to inspire your next project. Here are their inspired suggestions.
Personal projects not only give you the chance to experiment but can also lead to future commissions, as Laura Snoad discovers
Alice Ross gets to grips with the freelancer’s perennial headache – finding new sources of work to keep the cash flowing in and yourself constantly inspired
The best creators are leaving saccharine clichés and simplistic figures far behind in an effort to captivate today's younger audience, finds Alice Ross
Leading designers tell Michael Burns how to create the perfect logo
Lisa Hassell finds out why it’s become so fashionable to bring a handcrafted dimension to digital artwork
Whether you’re an artist who’s never touched 3D, or an accomplished modeller wanting to spice up your renders, there’s a lot to learn about how best to bring 3D suites, Photoshop and Illustrator together. Michael Burns finds out how the experts do it