The world of stars
Aardman Animations was the creative force behind Madame Tussaud’s Planetarium revamp – changing it into a CG World Of Stars…
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Aardman Animations was the creative force behind Madame Tussaud’s Planetarium revamp – changing it into a CG World Of Stars…
Digit looks at successful strategies for weaving together words and visual imagery.
The Highways Agency tasked Mere Mortals Post with creating an interactive learning DVD for new drivers. Digit found out how.
Brainstorming is the secret behind a CG ‘Happiness Factory’ for Coke’s latest commercial spot.
Creating interactive 3D chocolate moulds of visitors was only one of the challenges faced by Newangle for Cadbury.
Inbox Digital’s latest viral game, for lifestyle brand Fat Face, is an addictive mountain-bike fest.
Record covers first switched many creatives onto design. Digit investigates the industry and the threat it faces from MP3s.
The only UK post production facility to work on Superman Returns, Framestore CFC created a host of visual effects.
Working with Love, Rushes whipped up some old-style animated creatures for a new ad campaign for Kerry Low Low Cheese.
Check out the next generation of creativity - as found in the D&AD's New Blood Exhibition. Part two.
Check out the next generation of creativity - as found in the D&AD's New Blood Exhibition. Part one.
Frank & Gordon, two cuddly CG beavers created by Buzz Image Group have taken Canada by storm.
Impossible camera moves and digital architectural restoration were just some of the effects created for The Da Vinci Code.
Director Ben Hibon turned to Axis Animation to bring his animation for MTV to life in 3D. The result is Codehunters.
Creatives earn their keep promoting their clients’ brands - but to win clients they need to promote themselves effectively too.