What made me: Saddington Baynes's James Digby-Jones reveals his creative inspiration
The executive creative director of Saddington Baynes, which has developed from photo retouching firm to full production studio, reveals what has made him better
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The executive creative director of Saddington Baynes, which has developed from photo retouching firm to full production studio, reveals what has made him better
How to showcase your creative process - and get paid for it by clients
Putting together your own exhibition can feel quite daunting. Lisa Hassell discovers what it takes to put together a hit show.
If you're using Facebook for legitimate marketing, what's the ROI of having virtual fans?
Leading designers, illustrators, creative directors and VFX supervisors reflect on the creative legacy of the London 2012 Olympics.
Deciding on how best to sell your work as art can be a real challenge. Laura Snoad explores your different options
Whether you are planning professional projects or personal projects, many of the same dynamics come into play. It follows that developing skills in one area will help you succeed in the other.
Five guiding principles for success from the creative director and co-founder of SomeOne, whose recent projects include the London 2012 Olympic pictograms
Anna Richardson-Taylor asks some of the questions graduates will be facing along their initial career steps, and gets expert advice from creative industry veterans to help them answer them – and hopefully secure a glittering career.
The days of uninspiring typefaces are long gone, with the latest offerings going in bold new directions, says Anna Richardson Taylor
Our getting-started guide tells you everything you need to know to understand CSS.
The co-founder of Rupert Ray and the former creative director of Airside reveals the five driving forces that get him out of bed in the morning – and has drawn portraits of the people who awoke these passions in him
As Laura Snoad discovers, signing up with an agency can help take your career to the next level
Your work can be massively enhanced by the latest trends in CG and 2D animation and motion graphics, says Michael Burns
We could see an upsurge in UK-based animation next year when the Corporation Tax Credits scheme is extended to cover animation production.
You might think you know how to wow clients and employers, but the nature of the game is more involved than meets the eye, says Laura Snoad
We cut through the myths around Facebook's Promote button and tell you how to use it to your advantage.
I Love Dust’s first hire, cross-media creative Shan Jiang was synonymous with the work of the cutting-edge agency. Not content to rest on his laurels, he has moved on to become a partner at the new east London design agency Shotopop
The designer and printmaker tells us the five people who have influenced him most
Colourist Dado Valentic of Mytherapy reveals how to overcome the challenges inherent in grading stereo 3D footage.