Character design tips from 11 leading illustrators
How the likes of Anima Boutique, Dovcek, Jam Factory, Joanne Harker and Showchicken ensure a character’s personality shines through.
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How the likes of Anima Boutique, Dovcek, Jam Factory, Joanne Harker and Showchicken ensure a character’s personality shines through.
Uniform's futures director takes us through how the agency built a Postcard Player, currently on show as part of the Design Museum's Designs of the Year show.
Graphic designers traditionally love Macs. In this feature we look at what is the best Mac for creatives.
Craig Grannell explores the best new approaches, techniques and tools for designers as they work in tandem with developers along every step of the creative process.
How the likes of Anima Boutique, Dovcek, Jam Factory, Joanne Harker and Showchicken ensure a character’s personality shines through.
The experience designer and developer – and in-demand speaker – discusses the key experiences that have shaped his life.
Teaching – whether to students or at informal workshops – offers a great way to supplement your income, and to pass on your skills to inspire creativity in others. Anna Richardson Taylor explains how to get started
Leading creatives from Attik, Studio Output, Ustwo, The Neighbourhood and more debate where interactive design is headed.
Jessica Walsh, Paula Scher, Phil Hansen and Erik Johansson tell us how limits, rules and guidelines can help drive creativity.
Responsive web design finally breaks the internet free from the static shackles of print, but understanding how it works requires a whole new way of thinking. Learn it here
We discuss the impact of the Enterprise and Regulatory Reform Act with the AOI's Derek Brazell and lawyer Iain Stansfield from Olswang.
The creative director of TV service YouView reveals the five principles and experiences that drive her to create
Jenny Theolin reports from the first ever Point Conference in London, featuring Erik Spikermann, Nicholas Roope, iA, Phil Lewis and more.
New raised effects, textures, foils and metallic inks are now accessible – and affordable – for a wide range of print projects.
Dan Germain tells Alice Ross why the savviest creatives produce an overarching story for brands that lets customers tell their own around it.
Ten years ago, Chris Harrison left the safe confines of a London firm to set up his own design agency in Brighton. Here’s what he’s learned over the past decade
We’ve asked leading creatives to tell us what they’re doing differently – what their clients are asking for, what new tech is letting them do, and what they want to explore themselves.
For many illustrators, 2013 is about creative satisfaction over financial reward – but surprisingly that's often by choice.
This year websites, apps and other interactive media are becoming both elegantly simple and increasingly complex.
Tom Reynolds from digital agency SAS London discusses how less can be more when designing sites for clients.