Brighton's digital design festival announces 2015 speaker line-up, with theme of Designing the Future.
Michael Burns is a freelance writer with almost 20 years experience of covering the creative industries.
As well as writing for Digital Arts and a variety of major trade publications, he has been involved in conference production and has written a number of books on digital content creation.
He also provides freelance advisory, writing and production services for companies in the film, TV, design and interactive media sectors.
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Articles by Michael Burns
How an art detective's hunt lead to a collection of work by Irwin ‘Bud’ Crosthwait going on sale in London.
Cycle Revolution presents a cavalcade of two-wheeled culture, with contributors including Sir Chris Hoy and Sir Paul Smith
Manchester-based artist creates triumphant art depicting talismans for healthy living
How White Label and Projection Artworks tapped into Twitter to display 20m high messages of delight and disgust about Laphroaig whisky on the…
The design software offers vector illustration, photo editing, page layout and website design from within a single application.
Visitors to the hotel specialist's studio are greeted with a plant-based sign
Trojan Horse Was a Unicorn’s London meetup features Chris Rosewarne, a concept artist whose work also includes Avengers: Age of Ultron and…
Lightricks has made Enlight universal for iOS, tweaking the heal tool and adding ability to animate sessions
Boutique London facility reveals secrets behind all seven episodes of BBC’s magical fantasy
Check out this R&D work exploring the potential of VR for creating immersive experiences.
The Return uses IKinema LiveAction to blend digital animation with live performance at the Met
Imagery for the Glenfiddich 21 Year Old and Rare Collection created in complex and considered photoshoots
Released today, Serif's creative Mac app hopes to emulate success of Affinity Designer
Digital effects and miniatures shot in-house deliver VFX for Brad Bird's futuristic world
Get a drone's eye view of the stunts showcasing the Peugeot 208's reversing camera.
This film shot for Marriott uses 30,000 high-res stills and motion control for a totally immersive experience.
Already in use by Framestore, the MotionBuilder plug-in offers a more natural movement for CG characters
D&AD unveils the superstar creatives of the future at New Blood Awards
New US series from Spielberg studio demanded CG fulgurites, explosions and plane crash wreckage, as well as extensive environment work